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Immovably fascinated by the world; it's properties, people, conditions, sensations, irony,
and all the amazing moments which, whether by enlightenment or scarring, bring about permanent change.

Monday, January 31, 2011

Edna St. Vincent Millay



"It's not true that life is one damn thing after another;
it's one damn thing over and over."

"Parrots, tortoises and redwoods live a longer life than men do;
Men a longer life than dogs do;
Dogs a longer life than love does."

“Life must go on; I forget just why.”



"I know I am but summer to your heart,
and not the full four seasons of the year."

“If I love you Wednesday, What is that to you?
I do not love you Thursday - so much is true.”

“I've been a wicked girl," said I:
"But if I can't be sorry, why, I might as well be glad!”



“Childhood is not from birth to a certain age and at a certain age
The child is grown, and puts away childish things.
...Childhood is the kingdom where nobody dies.
Nobody that matters, that is.”

“Safe upon the solid rock the ugly houses stand:
Come and see my shining palace built upon the sand!”

“I love humanity but I hate people.”



“Well, I have lost you; and I lost you fairly;
In my own way, and with my full consent.
Say what you will, kings in a tumbrel rarely
Went to their deaths more proud than this one went.
Some nights of apprehension and hot weeping
I will confess; but that's permitted me;
Day dried my eyes; I was not one for keeping
Rubbed in a cage a wing that would be free.
If I had loved you less or played you slyly
I might have held you for a summer more,
But at the cost of words I value highly,
And no such summer as the one before.
Should I outlive this anguish-and men do-
I shall have only good to say of you.”



"So here upon my back I'll lie
And look my fill into the sky.
And so I looked, and, after all,
The sky was not so very tall."

"A man was starving in Capri;
He moved his eyes and looked at me;
I felt his gaze, I heard his moan,
And knew his hunger as my own."



"Ah, awful weight! Infinity
Pressed down upon the finite Me!
My anguished spirit, like a bird,
Beating against my lips I heard;
Yet lay the weight so close about
There was no room for it without.
And so beneath the weight lay I
And suffered death, but could not die."



"Deep in the earth I rested now;
Cool is its hand upon the brow
And soft its breast beneath the head
Of one who is so gladly dead."

"For rain it hath a friendly sound
To one who's six feet underground;
And scarce the friendly voice or face:
A grave is such a quiet place.
The rain, I said, is kind to come
And speak to me in my new home."




Renascence -

All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line
Of the horizon, thin and fine,
Straight around till I was come
Back to where I'd started from;
And all I saw from where I stood
Was three long mountains and a wood.
Over these things I could not see;
These were the things that bounded me;
And I could touch them with my hand,
Almost, I thought, from where I stand.
And all at once things seemed so small
My breath came short, and scarce at all.
But, sure, the sky is big, I said;
Miles and miles above my head;
So here upon my back I'll lie
And look my fill into the sky.
And so I looked, and, after all,
The sky was not so very tall.
The sky, I said, must somewhere stop,
And -- sure enough! -- I see the top!
The sky, I thought, is not so grand;
I 'most could touch it with my hand!
And reaching up my hand to try,
I screamed to feel it touch the sky.
I screamed, and -- lo! -- Infinity
Came down and settled over me;
Forced back my scream into my chest,
Bent back my arm upon my breast,
And, pressing of the Undefined
The definition on my mind,
Held up before my eyes a glass
Through which my shrinking sight did pass
Until it seemed I must behold
Immensity made manifold;
Whispered to me a word whose sound
Deafened the air for worlds around,
And brought unmuffled to my ears
The gossiping of friendly spheres,
The creaking of the tented sky,
The ticking of Eternity.
I saw and heard, and knew at last
The How and Why of all things, past,
And present, and forevermore.
The Universe, cleft to the core,
Lay open to my probing sense
That, sick'ning, I would fain pluck thence
But could not, -- nay! But needs must suck
At the great wound, and could not pluck
My lips away till I had drawn
All venom out. -- Ah, fearful pawn!
For my omniscience paid I toll
In infinite remorse of soul.
All sin was of my sinning, all
Atoning mine, and mine the gall
Of all regret. Mine was the weight
Of every brooded wrong, the hate
That stood behind each envious thrust,
Mine every greed, mine every lust.
And all the while for every grief,
Each suffering, I craved relief
With individual desire, --
Craved all in vain! And felt fierce fire
About a thousand people crawl;
Perished with each, -- then mourned for all!
A man was starving in Capri;
He moved his eyes and looked at me;
I felt his gaze, I heard his moan,
And knew his hunger as my own.
I saw at sea a great fog bank
Between two ships that struck and sank;
A thousand screams the heavens smote;
And every scream tore through my throat.
No hurt I did not feel, no death
That was not mine; mine each last breath
That, crying, met an answering cry
From the compassion that was I.
All suffering mine, and mine its rod;
Mine, pity like the pity of God.
Ah, awful weight! Infinity
Pressed down upon the finite Me!
My anguished spirit, like a bird,
Beating against my lips I heard;
Yet lay the weight so close about
There was no room for it without.
And so beneath the weight lay I
And suffered death, but could not die.

Long had I lain thus, craving death,
When quietly the earth beneath
Gave way, and inch by inch, so great
At last had grown the crushing weight,
Into the earth I sank till I
Full six feet under ground did lie,
And sank no more, -- there is no weight
Can follow here, however great.
From off my breast I felt it roll,
And as it went my tortured soul
Burst forth and fled in such a gust
That all about me swirled the dust.

Deep in the earth I rested now;
Cool is its hand upon the brow
And soft its breast beneath the head
Of one who is so gladly dead.
And all at once, and over all
The pitying rain began to fall;
I lay and heard each pattering hoof
Upon my lowly, thatched roof,
And seemed to love the sound far more
Than ever I had done before.
For rain it hath a friendly sound
To one who's six feet underground;
And scarce the friendly voice or face:
A grave is such a quiet place.

The rain, I said, is kind to come
And speak to me in my new home.
I would I were alive again
To kiss the fingers of the rain,
To drink into my eyes the shine
Of every slanting silver line,
To catch the freshened, fragrant breeze
From drenched and dripping apple-trees.
For soon the shower will be done,
And then the broad face of the sun
Will laugh above the rain-soaked earth
Until the world with answering mirth
Shakes joyously, and each round drop
Rolls, twinkling, from its grass-blade top.
How can I bear it; buried here,
While overhead the sky grows clear
And blue again after the storm?
O, multi-colored, multiform,
Beloved beauty over me,
That I shall never, never see
Again! Spring-silver, autumn-gold,
That I shall never more behold!
Sleeping your myriad magics through,
Close-sepulchred away from you!
O God, I cried, give me new birth,
And put me back upon the earth!
Upset each cloud's gigantic gourd
And let the heavy rain, down-poured
In one big torrent, set me free,
Washing my grave away from me!

I ceased; and through the breathless hush
That answered me, the far-off rush
Of herald wings came whispering
Like music down the vibrant string
Of my ascending prayer, and -- crash!
Before the wild wind's whistling lash
The startled storm-clouds reared on high
And plunged in terror down the sky,
And the big rain in one black wave
Fell from the sky and struck my grave.
I know not how such things can be;
I only know there came to me
A fragrance such as never clings
To aught save happy living things;
A sound as of some joyous elf
Singing sweet songs to please himself,
And, through and over everything,
A sense of glad awakening.
The grass, a-tiptoe at my ear,
Whispering to me I could hear;
I felt the rain's cool finger-tips
Brushed tenderly across my lips,
Laid gently on my sealed sight,
And all at once the heavy night
Fell from my eyes and I could see, --
A drenched and dripping apple-tree,
A last long line of silver rain,
A sky grown clear and blue again.
And as I looked a quickening gust
Of wind blew up to me and thrust
Into my face a miracle
Of orchard-breath, and with the smell, --
I know not how such things can be! --
I breathed my soul back into me.
Ah! Up then from the ground sprang I
And hailed the earth with such a cry
As is not heard save from a man
Who has been dead, and lives again.
About the trees my arms I wound;
Like one gone mad I hugged the ground;
I raised my quivering arms on high;
I laughed and laughed into the sky,
Till at my throat a strangling sob
Caught fiercely, and a great heart-throb
Sent instant tears into my eyes;
O God, I cried, no dark disguise
Can e'er hereafter hide from me
Thy radiant identity!
Thou canst not move across the grass
But my quick eyes will see Thee pass,
Nor speak, however silently,
But my hushed voice will answer Thee.
I know the path that tells Thy way
Through the cool eve of every day;
God, I can push the grass apart
And lay my finger on Thy heart!

The world stands out on either side
No wider than the heart is wide;
Above the world is stretched the sky, --
No higher than the soul is high.
The heart can push the sea and land
Farther away on either hand;
The soul can split the sky in two,
And let the face of God shine through.
But East and West will pinch the heart
That can not keep them pushed apart;
And he whose soul is flat -- the sky
Will cave in on him by and by.





...
http://thinkexist.com/quotes/edna_st._vincent_millay/4.html

Wednesday, January 19, 2011

Yahoo Serious



born 27 July 1953 Greg Pead (name-change by deed poll in 1980),
is an Australian film actor, director and score composer.
He is best known for his 1988 comedy Young Einstein.
He also created Reckless Kelly in 1993 and Mr. Accident in 2000.
Serious writes, directs, produces, stars in, and has composed the scores for his movies.



Young Einstein is an intentionally inaccurate movie portraying Albert Einstein
as a young farmer in Tasmania who discovers rock music and surfing,
romances Marie Curie, and derives the formula E=mc²
while trying to discover a means of creating beer bubbles.



from his website (http://www.yahooserious.com/inprod.html):
"I’m often stopped in the street by budding young filmmakers
who say 'Yahoo, I have this great idea.
How can it become a million dollar movie?'
I tell them that their dream can be achieved
by sending me $100 then following my simple 2 Step Plan.
Step 1. Get a million dollars.
Step 2. Make the movie.
The other most often asked questions are
'Hey Yahoo, isn’t that Yank internet company a rip off
setting itself up in Australia using your name?'
But let’s not go there.
And 'Yahoo how did you get your big break?'
My answer: 'It was always easy for me.
I was born very rich and lucky.'"



In an episode of The Simpsons, "Bart vs. Australia",
the family is shown a slide depicting a boarded up movie theatre
advertising a "Yahoo Serious Festival" on the marquee.
A confused Lisa says, "I know those words, but that sign makes no sense."

In several episodes of the cult television show Mystery Science Theater 3000,
hosts Joel Hodgson and Michael J. Nelson speak derisively of Yahoo Serious,
only favourably comparing him to fellow comedian Carrot Top.

In a Season 2 episode of American Idol,
when asked by an audience member who should play him in a film,
Clay Aiken responded first with "People say I look like Yahoo Serious".

In a Carnac the Magnificent sketch on The Tonight Show with Johnny Carson,
Carson's answer/prediction was "Yahoo Serious"
to the then revealed question, "What are the two stages of sex?"

In a spoof commercial on MTV during the "Young Einstein" period,
Serious was shown trying to come into the US for a TV appearance.
The customs officer asked for his name, to which he replied "Yahoo".
The incredulous officer then said, "Yahoo? You can't be serious!"
— to which the reply was an emphatic "Yes!"




"A smile is always double-edged in that it can be either happy or aggressive.
Animals when they bare their teeth they're attacking.
When we bare out teeth we're being warm and smiling.
My comedy tends to go to the human side of the smile."

"We often lose our way in the movie industry,
in as much as we forget that it's an art form and originality is important.
It's important not to just pick up a book
and make it into a movie or do do sequel II, III, IV and V.
Different is what people respond to.
They go, "Oh good! I can go and see something new!"
I hate sequels because they are always done for the wrong reason.
That is, they're always done for the same reason: money."

"The pursuit, I think, is to always do what you want
and happiness and success will be a part of that.
People often chase money and that's the wrong thing to chase
because it will always go away from you and drag happiness with it.
But if you allow money and success to be a by-product of what you want to do,
then you'll be happy."

"At the end of the day there are only ten types of jokes in the world,
so you’re really interpreting, or reinterpreting comedy for your generation.

"One night I was taking the garbage out and I tripped over it,
and you know when it goes everywhere
and you’ve got to clean it up and it stinks and everything like that,
and it’s kind of like a tragedy for you.
But somebody walking past laughed
and I thought: ‘Well, of course, what’s tragedy for someone…’
So, what if you take something like that
and turn it into the biggest epic event ever in cinema.”

"Australians do,” says Serious about how people relate to his films.
“That’s the thing.
Sometimes reviewers don't and they go and see a movie
at eight o’clock in the morning by themselves.
It’s not for them.
It’s like someone going along and hearing a rock band
at eight o’clock on a Monday morning when the pub’s empty.
Because comedy is like rock.
It’s of the people.
It’s popular culture."


...
http://en.wikipedia.org/wiki/Yahoo_Serious
http://www.imdb.com/name/nm0000635/bio#quotes
http://littlerunningbear.com/yahoo-serious/

Friday, January 14, 2011

Redheads on Fire

Just saw Judy in Till The Clouds Roll By,
and I've never seen her more beautiful.



















Yellow/gold compliments red hair so nicely!


Ann-Margret opening for Bye Bye Birdie











Jeanne Calment

(21 February 1875 – 4 August 1997)

Is the longest confirmed human life span in history,
living to the age of 122 years, 164 days (44724 days total).




She lived in Arles, France, for her entire life, and outlived both her daughter and grandson.

As a thirteen-year-old girl (1888) in her uncle's fabric shop,
she met Van Gogh. He wanted to buy some canvas,
later describing him as "dirty, badly dressed and disagreeable",
and "very ugly, ungracious, impolite, sick".
Calment recalled selling coloured pencils to Van Gogh.

And she saw the Eiffel Tower being built.


age 20, in 1895

In 1896, at the age of 21, she married a wealthy store owner.
His wealth made it possible for Jeanne to never have to work;
instead she led a leisured lifestyle,
pursuing hobbies like tennis, cycling, swimming, rollerskating, piano and opera.

She lived in Arles, France, for her entire life, and outlived both her daughter and grandson.


age 22, in 1897

Calment's remarkable health presaged her later record.
At age 85, she took up fencing,
and at 100, she was still riding a bicycle.
She was reportedly neither athletic, nor fanatical about her health.
Calment lived on her own until shortly before her 110th birthday,
when it was decided that she needed to be moved to a nursing home
after a cooking accident (she was having complications with sight)
started a small fire in her flat.
However, Calment was still in good shape,
and was able to walk until she fractured her femur during a fall at age 114 years
She smoked until the age of 117, only five years before her death.
Calment smoked from the age of 21 (1896),
though according to an unspecified source,
she smoked no more than two cigarettes per day.


age 40, in 1915

She ascribed her longevity and relatively youthful appearance for her age to olive oil,
which she said she poured on all her food and rubbed onto her skin,
as well as a diet of port wine, and ate nearly one kilo of chocolate every week.


(thanks wikipedia!)

Jerry, Dean, Marilyn

These photos make me smile.

One of the things Marilyn's friends cherished about her was her sense of humor.








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